This is a comprehensive collection of original essays that explore the aesthetics, economics, and mechanics of movie adaptation, from the days of silent cinema to contemporary franchise phenomena. Featuring a range of theoretical approaches, and chapters on the historical, ideological and economic aspects of adaptation, the volume reflects today’s acceptance of intertextuality as a vital and progressive cultural force. - Incorporates new research in adaptation studies - Features a chapter on the Harry Potter franchise, as well as other contemporary perspectives - Showcases work by leading Shakespeare adaptation scholars - Explores fascinating topics such as ‘unfilmable’ texts - Includes detailed considerations of Ian McEwan’s Atonement and Conrad’s Heart of Darkness