This compelling book chronicles the most influential ideas that have shaped photography from the invention of the daguerreotype in the early 19th century up to the digital revolution and beyond.

Table of Contents

• Introduction
• 100 Ideas that Changed Photography
• No.1 THE CAMERA OBSCURA
• No.2 THE LATENT IMAGE
• No.3 DIRECT POSITIVE IMAGES
• No.4 NEGATIVE/POSITIVE
• No.5 THE DAGUERREOTYPE
• No.6 EXPLORATION
• No.7 THECALOTYPE
• No.8 THE NUDE
• No.9 THE LENS
• No.10 THE SHUTTER
• No.11 AESTHETICS
• No.12 THE CYANOTYPE
• No.13 COLLODION
• No.14 CROPPING
• No.15 THE DARKROOM
• No.16 PAINTING THE PICTURE
• No.17 THE STEREOSCOPE
• No.18 THE VIEW
• No.19 WAR
• No.20 MOVING PICTURES
• No.21 ENLARGEMENT
• No.22 SUPPORTS
• No.23 COLOR
• No.24 PHOTO-SCULPTURE
• No.25 MORALIZING
• No.26 THE ACADÉMIE
• No.27 CARTES DE VISITE
• No.28 THE GUM BICHROMATE PROCESS
• No.29 PLATINUM PRINTS
• No.30 PINHOLE CAMERAS
• No.31 LIKENESS
• No.32 THE TINTYPE
• No.33 EVIDENCE
• No.34 EVOLUTION
• No.35 ALBUMEN PAPER
• No.36 NARRATIVE
• No.37 BACKGROUNDS
• No.38 LEISURE TRAVEL
• No.39 PHOTOGRAPHIC SOCIETIES
• No.40 PHOTO-SHARING
• No.41 GELATIN SILVER PRINTS
• No.42 SMALL CAMERAS
• No.43 TABLOIDS
• No.44 THE AUTOCHROME
• No.45 POSTCARDS
• No.46 PROJECTION
• No.47 ARTIFICIAL LIGHT
• No.48 FOCUS
• No.49 STOPPING TIME
• No.50 HALFTONE
• No.51 ROLL FILM
• No.52 SEQUENCES
• No.53 IMAGE FACTORIES
• No.54 AERIAL PHOTOGRAPHY
• No.55 MACRO/MICRO
• No.56 THE PEOPLE'S ART
• No.57 THE PHOTO-SECESSION
• No.58 EQUIVALENTS
• No.59 COLLECTING
• No.60 PICTURES THAT SELL
• No.61 PHOTOGRAPHIC AGENCIES
• No.62 THE SLR
• No.63 THE DECISIVE MOMENT
• No.64 MULTIPLE EXPOSURES
• No.65 PHOTO BOOTHS
• No.66 PHOTOJOURNALISM
• No.67 ABSTRACTION
• No.68 STRAIGHT PHOTOGRAPHY
• No.69 CAMERAS FOR KIDS
• No.70 SOLARIZATION
• No.71 SPORTING SCENES
• No.72 IMAGE OBJECTS
• No.73 FILM UND FOTO
• No.74 THE PHOTOGRAM
• No.76 CUT-AND-PASTE
• No.74 FASHION
• No.77 SELF-PORTRAIT
• No.78 GLAMOUR
• No.79 DOCUMENTARY EXPRESSION
• No.80 THE OUTSIDER
• No.81 THE STREET
• No.82 INVISIBLE LIGHT
• No.83 THE SURREAL
• No.84 THE POLAROID
• No.85 KODACHROME
• No.86 TELEVISION
• No.87 NEW TOPOGRAPHICS
• No.88 PHOTO-REALISM
• No.89 OUTSKIRTS AND ENCLAVES
• No.90 THE SNAPSHOT AESTHETIC
• No.91 THE THEORETICAL TURN
• No.92 CAMERA PHONES
• No.93 FABRICATED TO BE PHOTOGRAPHED
• No.94 CONCRETE PHOTOGRAPHY
• No.95 PHOTO-CONCEPTUALISM
• No.96 THE PHOTOGRAPHER'S EYE
• No.97 APPROPRIATION
• No.98 PHOTO/VIDEO
• No.99 DIGITAL PHOTOGRAPHY
• No.100 GIS
• Glossary
• Further Reading
• Acknowledgments