The SAGE Handbook of Popular Music
The SAGE Handbook of Popular Music
Editor/Author
Bennett, Andy
Publication Year: 2015
Publisher: Sage UK
Single-User Purchase Price:
$175.00

Unlimited-User Purchase Price:
$262.50
ISBN: 978-1-44-621085-7
Category: Arts & Leisure - Music
Image Count:
2
Book Status: Available
Table of Contents
The SAGE Handbook of Popular Music provides a highly comprehensive and accessible summary of the key aspects of popular music studies. This is a benchmark work which will be essential reading for educators and students in popular music studies, musicology, cultural studies, media studies and cultural sociology.
Table of Contents
- Acknowledgements
- Notes on the Editors and Contributors
- Introduction - Andy Bennett and Steve Waksman
- PART I THEORY AND METHOD
- Preface - Andy Bennett
- 1 The Many Worlds of Popular Music: Ethnomusicological Approaches - Kevin Dawe
- 2 Notes on Sociological Theory and Popular Music Studies - Motti Regev
- 3 Waiting for the Great Leap Forwards: Mixing Pop, Politics and Cultural Studies - Gilbert B. Rodman
- 4 (Re)generations of Popular Musicology - Serge Lacasse
- 5 Archival Research and the Expansion of Popular Music History - Christine Feldman-Barrett
- PART II THE BUSINESS OF POPULAR MUSIC
- Preface - Steve Waksman
- 6 Power, Production and the Pop Process - Reebee Garofalo
- 7 Intermediaries and Intermediation - Devon Powers
- 8 Popular Musical Labor in North America - Matt Stahl
- 9 Music in Advertising in the US: History and Issues - Timothy D. Taylor
- PART III POPULAR MUSIC HISTORY
- Preface - Steve Waksman
- 10 Grinding Out Hits at the Song Factory - Keir Keightley
- 11 Popular Music Genres: Aesthetics, Commerce and Identity - David Brackett
- 12 Live Music History - Matt Brennan
- PART IV THE GLOBAL AND THE LOCAL
- Preface - Andy Bennett
- 13 African, African American, Middle Eastern and French Hip Hop - Tony Mitchell
- 14 Liminal Being: Electronic Dance Music Cultures, Ritualization and the Case of Psytrance - Graham St John
- 15 Everything Louder than Everyone Else: The Origins and Persistence of Heavy Metal Music and Its Global Cultural Impact - Andy R. Brown
- 16 Punk Rock, Hardcore and Globalization - Ross Haenfler
- PART V THE STAR SYSTEM
- Preface - Steve Waksman
- 17 Rock Stars as Icons - David R. Shumway
- 18 Everybody's in Show Biz: Performing Star Identity in Popular Music - Philip Auslander
- 19 Midnight Ramblers and Material Girls: Gender and Stardom in Rock and Pop - Jacqueline Warwick
- 20 Dark Cosmos: Making Race, Shaping Stardom - C. Riley Snorton
- PART VI BODY AND IDENTITY
- Preface - Andy Bennett
- 21 Blurred Lines, Gender and Popular Music - Sheila Whiteley
- 22 Popular Music, Race and Identity - Jon Stratton
- 23 Dancing the Popular: The Expressive Interface of Bodies, Sound and Motion - Sherril Dodds
- 24 Shaping the Past of Popular Music: Memory, Forgetting and Documenting - Catherine Strong
- PART VII MEDIA
- Preface - Andy Bennett
- 25 In Print and On Screen: The Changing Character of Popular Music Journalism - Simon Warner
- 26 Sight and Sound in Concert? The Interrelationship Between Music and Television - Tim Wall and Paul Long
- 27 Viewing With Your Ears, Listening With Your Eyes: Syncing Popular Music and Cinema - Scott Henderson
- 28 Beyond Napster: Popular Music and the Normal Internet - Nick Prior
- PART VIII TECHNOLOGY
- Preface - Steve Waksman
- 29 Phonography and the Recording in Popular Music - Patrick Feaster
- 30 Ghosts of Electricity: Amplification - Peter Doyle
- 31 Ubiquitous Musics: Technology, Listening and Subjectivity - Anahid Kassabian
- PART IX DIGITAL ECONOMIES
- Preface - Steve Waksman
- 32 Modes of Production: The Value of Modal Analysis for Popular Music Studies - Tim J. Anderson
- 33 Music, Copies and Essences - Joanna Demers
- 34 Authorship, Ownership and Musical Appropriation - Kembrew McLeod
- 35 Music Cartels and the Dematerialization of Power - Aram Sinnreich