The Wiley-Blackwell Companions to National Cinemas: A Companion to Spanish Cinema

Editor/Author Labanyi, Jo and Pavlovic, Tatjana
Publication Year: 2013
Publisher: Wiley

Single-User Purchase Price: $219.00
Unlimited-User Purchase Price: $328.50
ISBN: 978-1-4051-9438-9
Category: Arts & Leisure - Film & Television
Image Count: 114
Book Status: Available
Table of Contents

A Companion to Spanish Cinema is a bold collection of newly commissioned essays written by top international scholars that thoroughly interrogates Spanish cinema from a variety of thematic, theoretical and historic perspectives.

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Table of Contents

  • Acknowledgments
  • List of Contributors
  • 1 Introduction - Jo Labanyi and Tatjana Pavlović
  • Part I Reframing the National
  • 2 Transnational Frameworks - Gerard Dapena, Marvin D'Lugo, and Alberto Elena
  • 3 Echoes and Traces: Catalan Cinema, or Cinema in Catalonia - Brad Epps
  • 4 Negotiating the Local and the Global: Andalusia, the Basque Country, and Galicia - José Colmeiro and Joseba Gabilondo
  • Part II The Construction of the Auteur
  • 5 Auteurism and the Construction of the Canon 113 - Marvin D'Lugo and Paul Julian Smith
  • 6 Strategic Auteurism - Antonio Lázaro-Reboll, Steven Marsh, Susan Martin-Márquez, and Santos Zunzunegui
  • Part III Genre
  • 7 Comedy and Musicals - Steven Marsh, Chris Perriam, Eva Woods Peiró, and Santos Zunzunegui
  • 8 Melodrama and Historical Film - Jo Labanyi, Annabel Martín, and Vicente Rodríguez Ortega
  • 9 Film Noir, the Thriller, and Horror -Jo Labanyi, Antonio Lázaro-Reboll, and Vicente Rodríguez Ortega
  • Part IV Stars as Cultural Icons
  • 10 The Construction of the Star System - Kathleen M. Vernon and Eva Woods Peiró
  • 11 Stars, Modernity, and Celebrity Culture - Tatjana Pavlović, Chris Perriam, and Nuria Triana Toribio
  • Part V Image and Sound
  • 12 Photography, Production Design, and Editing Vicente Sánchez-Biosca
  • 13 Soundtrack - Román Gubern and Kathleen M. Vernon
  • Part VI The Film Apparatus: Production, Infrastructure, and Audiences
  • 14 Censorship, Film Studios, and Production Companies - Josetxo Cerdán, Román Gubern, Jo Labanyi, Steven Marsh, Tatjana Pavlović, and Nuria Triana Toribio
  • 15 Film Clubs, Festivals, Archives, and Magazines - Ferran Alberich, Román Gubern, and Vicente Sánchez-Biosca
  • 16 Audiences - Manuel Palacio and Kathleen M. Vernon
  • Part VII Relations with Other Media
  • 17 Cinema, Popular Entertainment, Literature, and Television - Sally Faulkner, Vicente Sánchez-Biosca, and Paul Julian Smith
  • Part VIII Beyond the Fiction Film
  • 18 Newsreels, Documentary, Experimental Film, Shorts, and Animation - Josetxo Cerdán and Vicente Sánchez-Biosca
  • Part IX Reading Films through Theory
  • 19 Isabel Coixet'sw Engagement with Feminist Film Theory: From G (the Gaze) to H (the Haptic) - Susan Martin-Márquez
  • 20 Becoming a Queer (M)Other in/and/through Film: Transsexuality, Trans-subjectivity, and Maternal Relationality in Almodóvar's Todo sobre mi madre - Julián Daniel Gutiérrez-Albilla
  • 21 The Space of the Vampire: Materiality and Disappearance in the Films of Iván Zulueta - Brad Epps